It looks to be a golf cart, so I'm gonna say "no". But in Smurfville, that's the hottest ride there is.hyzmarca wrote:Is that street legal?
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"Hottest Ride In Smurfville" is a title that can only be claimed by Smurfette.Shatner wrote:It looks to be a golf cart, so I'm gonna say "no". But in Smurfville, that's the hottest ride there is.hyzmarca wrote:Is that street legal?
Cuz apparently I gotta break this down for you dense motherfuckers- I'm trans feminine nonbinary. My pronouns are they/them.
Winnah wrote:No, No. 'Prak' is actually a Thri Kreen impersonating a human and roleplaying himself as a D&D character. All hail our hidden insect overlords.
FrankTrollman wrote:In Soviet Russia, cosmic horror is the default state.
You should gain sanity for finding out that the problems of a region are because there are fucking monsters there.
I don't think they can have sex. I mean, they're a monogendered species whose babies are magically delivered by magical stork. Plus, those tights are pretty smooth in front, if you catch my meaning.Prak wrote:"Hottest Ride In Smurfville" is a title that can only be claimed by Smurfette.Shatner wrote:It looks to be a golf cart, so I'm gonna say "no". But in Smurfville, that's the hottest ride there is.hyzmarca wrote:Is that street legal?
Smurfette herself is basically a genetically engineered magical freak of nature created to be supernaturally attractive. I suspect that the smurfs' lusting after Smurfette is a result of a passive magical emotion manipulation power that she has rather than actual natural smurf desires.
That means Smurfette is essentially a magic psychoactive drug. I'm pretty sure that still makes her the hottest ride in town, the ride is just tripping instead of smurfing.
Cuz apparently I gotta break this down for you dense motherfuckers- I'm trans feminine nonbinary. My pronouns are they/them.
Winnah wrote:No, No. 'Prak' is actually a Thri Kreen impersonating a human and roleplaying himself as a D&D character. All hail our hidden insect overlords.
FrankTrollman wrote:In Soviet Russia, cosmic horror is the default state.
You should gain sanity for finding out that the problems of a region are because there are fucking monsters there.
- Ancient History
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Thanks for the pic AH, just found my friends Christmas gift.
Maxus wrote:Being wrong is something that rightly should be celebrated, because now you have a chance to correct and then you'll be better than you were five minutes ago. Perfection is a hollow shell, but perfectibility is something that is to be treasured.
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Cuz apparently I gotta break this down for you dense motherfuckers- I'm trans feminine nonbinary. My pronouns are they/them.
Winnah wrote:No, No. 'Prak' is actually a Thri Kreen impersonating a human and roleplaying himself as a D&D character. All hail our hidden insect overlords.
FrankTrollman wrote:In Soviet Russia, cosmic horror is the default state.
You should gain sanity for finding out that the problems of a region are because there are fucking monsters there.
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I'm not sure why, but this sort of made me think of Koumei.
Cuz apparently I gotta break this down for you dense motherfuckers- I'm trans feminine nonbinary. My pronouns are they/them.
Winnah wrote:No, No. 'Prak' is actually a Thri Kreen impersonating a human and roleplaying himself as a D&D character. All hail our hidden insect overlords.
FrankTrollman wrote:In Soviet Russia, cosmic horror is the default state.
You should gain sanity for finding out that the problems of a region are because there are fucking monsters there.
It's not actually a quadrilogy. There was a huge rift in the fandom over Revenge of Mohammed. There's a segment who says that Return of the Jew was bad, too, but since Return of the Jew was where the series really hit the mainstream most people don't pay attention to the grognards. Revenge of Mohammed was a real huge schism, though, and a lot of Return of the Jew fans said that the series didn't even need to be a trilogy, and the first two were actually pretty complete on their own anyway, choosing to interpret Revelations as more of an "open to interpretation" kind of ending, rather than a cliffhanger.Darth Rabbitt wrote:
Jesus In Space is an effort to finish the trilogy in a way that "lives up to the true spirit" of the first two installments according to some of the anti-Revenge of Mohammed fans, but most of the guys who say Revenge isn't canon don't like Jesus In Space either, if only because a lot of them have really bunkered down on the "there only needs to be two books" argument and don't want to back down from it.
It doesn't help that Jesus In Space isn't even really a sequel. It's written more in the style of the first two as a linear narrative rather than a sequence of episodes out of chronological order in which the progress of the overall narrative is not really as important as the individual stories, which was how Revenge of Mohammed was written, but despite the stylistic similarities and being ostensibly written to complete the trilogy, Jesus In Space is almost completely detached from the first two books. The protagonists start off in Jerusalem, the centerpiece city of the first two books, but then leave to a completely different continent to have adventures that are a completely different front of the overall good vs. evil narrative. Sure, there are armies of Heaven and Hell and they do battle, but they're completely different armies. It's really a separate plot in which the two sides happen to have the same uniforms as the guys from the first two books. Which is another entrenched criticism by anti-fans of Revenge of Mohammed, so Jesus In Space really shot itself in the foot there, even if they didn't go so far as to try and displace Jerusalem by making a second, even holier city.
It's also really debatable whether or not making Jesus the centerpiece of the third book is really in the spirit of the first two. Jesus didn't feature in the first book, so having a new protagonist for Revenge of Mohammed was following the general trajectory of the series better in that sense.
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Actually, a lot of them go out of their way to try and say the first book doesn't really "count", either. They'll cite it for origin stories for their second book, or occasionally if it parallels things they like in the second, but they spend a lot of time saying that events in the second book obviated ones from the first. If you point out flaws in the main character from Return of the Jew, they'll say "Oh, that was all in Jewish Adventures. He doesn't do that anymore."Chamomile wrote: but most of the guys who say Revenge isn't canon don't like Jesus In Space either, if only because a lot of them have really bunkered down on the "there only needs to be two books" argument and don't want to back down from it.
A good number of fans of Return of the Jew try to go back and reinterpret Jewish Adventures to make Jesus a central figure. They make leaps in the first book that you couldn't have made if you hadn't already read the second.Chamomile wrote: It's also really debatable whether or not making Jesus the centerpiece of the third book is really in the spirit of the first two. Jesus didn't feature in the first book, so having a new protagonist for Revenge of Mohammed was following the general trajectory of the series better in that sense.
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You guys have missed a couple major points.Darth Rabbitt wrote:
There's all that hubbab about the incessant revised versions the director keeps making to Episode 2 as technology gets better and his beard got longer:

While the effects were hand-drawn, this was a cult classic that redefined cults ever after

The first version to receive a wide release

The revision a modern fan is most likely to be familiar with

A plurality of the fandom prefers this remake

The abridged version for travel
An even more modern recut, largely ignored
Last edited by Josh_Kablack on Wed Dec 02, 2015 7:25 pm, edited 1 time in total.
"But transportation issues are social-justice issues. The toll of bad transit policies and worse infrastructure—trains and buses that don’t run well and badly serve low-income neighborhoods, vehicular traffic that pollutes the environment and endangers the lives of cyclists and pedestrians—is borne disproportionately by black and brown communities."
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He jumps like a damned dragoon, and charges into battle fighting rather insane monsters with little more than his bare hands and rather nasty spell effects conjured up solely through knowledge and the local plantlife. He unerringly knows where his goal lies, he breathes underwater and is untroubled by space travel, seems to have no limits to his actual endurance and favors killing his enemies by driving both boots square into their skull. His agility is unmatched, and his strength legendary, able to fling about a turtle shell big enough to contain a man with enough force to barrel down a near endless path of unfortunates.
--The horror of Mario
Zak S, Zak Smith, Dndwithpornstars, Zak Sabbath. He is a terrible person and a hack at writing and art. His cultural contributions are less than Justin Bieber's, and he's a shitmuffin. Go go gadget Googlebomb!
--The horror of Mario
Zak S, Zak Smith, Dndwithpornstars, Zak Sabbath. He is a terrible person and a hack at writing and art. His cultural contributions are less than Justin Bieber's, and he's a shitmuffin. Go go gadget Googlebomb!
Looks like.Shrapnel wrote:I'm assuming that's braille?
But the message is GNU Terry Pratchett.
It made me cry a little.
He jumps like a damned dragoon, and charges into battle fighting rather insane monsters with little more than his bare hands and rather nasty spell effects conjured up solely through knowledge and the local plantlife. He unerringly knows where his goal lies, he breathes underwater and is untroubled by space travel, seems to have no limits to his actual endurance and favors killing his enemies by driving both boots square into their skull. His agility is unmatched, and his strength legendary, able to fling about a turtle shell big enough to contain a man with enough force to barrel down a near endless path of unfortunates.
--The horror of Mario
Zak S, Zak Smith, Dndwithpornstars, Zak Sabbath. He is a terrible person and a hack at writing and art. His cultural contributions are less than Justin Bieber's, and he's a shitmuffin. Go go gadget Googlebomb!
--The horror of Mario
Zak S, Zak Smith, Dndwithpornstars, Zak Sabbath. He is a terrible person and a hack at writing and art. His cultural contributions are less than Justin Bieber's, and he's a shitmuffin. Go go gadget Googlebomb!
Shrap, I recommend you pick up Feet of Clay, Going Postal, or Small Gods one of these days, and read it through.Shrapnel wrote:Huhn. I haven't read Pratchett, so it took a bit of digging for me to find out what that meant. But still, it does seem bittersweet.
He jumps like a damned dragoon, and charges into battle fighting rather insane monsters with little more than his bare hands and rather nasty spell effects conjured up solely through knowledge and the local plantlife. He unerringly knows where his goal lies, he breathes underwater and is untroubled by space travel, seems to have no limits to his actual endurance and favors killing his enemies by driving both boots square into their skull. His agility is unmatched, and his strength legendary, able to fling about a turtle shell big enough to contain a man with enough force to barrel down a near endless path of unfortunates.
--The horror of Mario
Zak S, Zak Smith, Dndwithpornstars, Zak Sabbath. He is a terrible person and a hack at writing and art. His cultural contributions are less than Justin Bieber's, and he's a shitmuffin. Go go gadget Googlebomb!
--The horror of Mario
Zak S, Zak Smith, Dndwithpornstars, Zak Sabbath. He is a terrible person and a hack at writing and art. His cultural contributions are less than Justin Bieber's, and he's a shitmuffin. Go go gadget Googlebomb!







